Vol 19, No 4 (44) (2024)
Studies of individual genres
The speech genre “gratitude” in the Altai language
Abstract
This article deals with the etiquette speech genre “gratitude” in the Altai language. The article aims to establish and describe categorical universal and nationally specific features of the speech genre “gratitude” in the Altai language. Categorical signs of gratitude are analyzed in line with psychological, social and communicative paradigms. The article describes the national and cultural aspects of the speech genre “gratitude” in various cultures (English, German, Chinese and Russian). The empirical basis of the study was the utterances extracted from recordings of the spoken discourse of the Altaians. We recorded 33 episodes of spoken discourse of native speakers of the Altai language presented by different ages and genders living in Ulagan, Ust-Kansk, Ongudai and Kosh-Agach districts, which helped us to record different ways of using phrases of gratitude in natural speech. A universal property of gratitude in the Altai language is the expression of feelings to the interlocutor in connection with their good deed. In our opinion, gratitude in the Altai culture has a similar cycle with other linguistic cultures. You did something good – I was emotionally touched by it – I expressed my gratitude for it. A nationally specific feature of the structure of gratitude in the Altai language is the connection with benevolence: You did something good/pleasant for me – I was emotionally touched by it – I thanked you – I wished something good to you. Addressor + addressee + reason + thanksgiving + benevolence. It is typical for the Altai people to thank the surrounding space, which shows the national and cultural distinctness of this nation. The article dexribes the propositional structure of gratitude in the Altai language: the length of thanksgiving (the length of phrases varies), standard and frequent phrases, rremarks used as replies, universal and free benevolence of “alkysh”.
Speech genres. 2024;19(4 (44)):310-317
310-317
Curses as a genre of Lezghi and Kumyk folklore
Abstract
The article analyzes folk curses that have an emotional charge and relate to abusive language. Most often they are psychological or domestic in nature. Mostly, this kind of curse is pronounced unconsciously during a domestic quarrel or other conflict. They can be considered as a communicative, imperative and expletive formula. The purpose of the study is to analyze curses in which the speaker expresses dissatisfaction and indignation towards the listener. As a rule, they convey the feelings of the speaker or swearer and their attitude towards a certain situation or a specific person. The object of the study is curses presented in the folklore of Lezghins and Kumyks. Curses are found in the form of proverbial expressions, prose miniatures, and individual phrases at the heart of large works (most often in folk songs). We give a general idea of the functional and semantic aspects of curses. The article proves that curses are detailed figurative statements of negative content. This genre of folklore has a great practical value. The curses are based on a person’s faith in the magical component of the word. The article indicates that the distinctive features of curses are semantic content, emotional richness and color. The authors focus on formulaic curse expressions using the imperative form of the verb, where the focus is on the intended recipient. The work attempts to present some models arising from culturally specific characteristics. To simplify the qualitative interpretation of the material, we divided the texts of curses into various groups based on their relationship to different spheres of life. Thematic features of verbal formulas are distributed depending on the addressee.
Speech genres. 2024;19(4 (44)):318-326
318-326
Genre specificity of vandal graphic damage to urban spaces
Abstract
The visual space of a modern city and any other populated area is very diverse and rich, both with useful elements: signs, road signs, posters, street names, etc., and with the elements which change the appearance of streets in a negative way, namely the graphic damage to urban space or unauthorized graffiti, which is in the focus of this paper. The relevance of the present study is determined by the significance of studying various types of everyday written and speech activities within the city space. The specificity of graffiti as an object of linguistic research is noteworthy. Being an ambiguous part of urban space, graphic damage is often not fully studied, but nevertheless has significant pragmatic potential that can influence the opinion of citizens. Thus, the purpose of the study is to describe graphic damage, considering the entire range of extralinguistic and linguistic components of the genre. The work is based on a descriptive research method, and the basis for the methodology for describing the genre is the model of a complex communicative-typological description of the natural written Russian speech, proposed by N. B. Lebedeva and adapted to the objectives of this study. Thus, the article presents a description of aspects of the genre under consideration through a number of characteristics: 1) author, 2) purpose, 3) addressee, 4) content, 5) communicative time, 6) linguistic embodiment, 7) social assessment 8) cognitive dominant of the genre.
Speech genres. 2024;19(4 (44)):327-337
327-337
Variability in the manifestation of authorship in academic abstracts: Comparison of humanitarian and natural science discourses
Abstract
The article deals with the problem of the intradiscursive variability of the speech genre of the abstract. The article aims to identify the variability of the manifestation of the author's principle in the verbal genre of abstract functioning in academic discourse. 38 Russian-language abstracts to linguistic academic articles published in the journal “Genres of Speech” in 2023 and 34 Russian-language abstracts to biological academic articles published in the “Journal of General Biology” in 2022 were selected as the base of the study. The main research methods were general scientific methods (analysis, synthesis, comparison, juxtaposition, content analysis, statistical analysis), as well as methods of complex linguistic research – lexico-semantic, component, grammatical, discursive, stylistic, linguistic and pragmatic analyses. It was revealed that the pronouns “we” and “our” (in 13 % of linguistic and 21 % of biological annotations) and the self-designation “author” (in 11 % of linguistic and 3 % of biological abstracts) are used in abstracts as explicit markers of the authorʼs presence. Biologists are more actively using indirect designation through pronouns to emphasize personal contribution to solving a scientific problem and present results reflecting new knowledge. There are no differences in the use of implicit authorization tools (passive and impersonal constructions) in the abstracts belonging to the humanitarian and natural science discourse. To express an evaluative attitude towards the components of an epistemic situation, qualitative adjectives are used in the abstracts of both scientific directions, but in linguistic abstracts the set of adjectives is much richer. It was found that in the abstracts of natural science discourse the strengthening of evaluation using qualitative adverbs is more common (50 %) than in linguistic abstracts (29 %), as well as the weakening of evaluation – 32 % and 10 %, respectively. This indicates the desire of the linguistic authors to be more accurate and selective in expressing the strengthening or weakening of the assessment and, if possible, to avoid such speech strategies. Ii is concluded that the variability of the authorʼs presence in the verbal genre of abstract, functioning in academic discourse, is due to differences in research approaches, scientific tradition and the dissimilarity of the worldview of scientists.
Speech genres. 2024;19(4 (44)):338-346
338-346
Genres in art
The aesthetic properties of the genre of classical Chinese poetry Ci and the spiritual-moral basis of their formation (from the point of view of “The beauty of weakness as a virtue”)
Abstract
The article analyzes the aesthetic properties of the genre of classical Chinese poetry Сi and the spiritual-moral basis of their formation from the point of view of the concept “The beauty of weakness as virtue”, put forward by the famous specialist in the field of classical Chinese poetry Ye Jiaying. The relevance of the topic is determined by the fact that, although many classical Chinese Ci poems have been translated into Russian, there is little research on the aesthetic properties of the genre itself, especially from the point of view of modern Chinese poetic theory. The article uses methods of description, interpretation, historical-cultural and contextual analysis. The article aims is to explain the aesthetic properties and the reason for their formation from the point of view of the concept “The beauty of weakness as a virtue”. It is ahown that the aesthetic properties of the Ci lie in the presence of a deeply hidden, inexhaustible understatement in poetry. Formally, this is created by alternating long and short verses; at the semantic level, the understatement in poetry appeared as a result of the forced transformation of the inexpressible feelings and emotions of the poet, who was in a weak position, but at the same time showed the quality of endurance, restraint and commitment to something good. The influence of the ideas of Confucianism on the formation of the aesthetic properties of Ci poetry allows us to speak not only about its artistic-aesthetic, but also its spiritual-moral significance. Altogether, it allows us to give a decent assessment of the Ci genre, which for a long time was perceived as a genre less valuable than the Shi genre.
Speech genres. 2024;19(4 (44)):347-356
347-356
Genres of Mass Media
Conceptual Image of a rival country in analytical articles in Russian and American socio-political mass media (based on destructive metaphors)
Abstract
The article provides a comprehensive (semantic, cognitive, pragmatic, functional, discursive) analysis of the use of destructive existential-dynamic metaphors in analytical articles in textual socio-political media published in 2022–2024. when characterizing the rival country: in 9 Russian online-newspapers – the USA, in 9 American online-newspapers – the Russian Federation. The research material consists of 52 metaphorical units in 102 contexts extracted from 45 Russian articles and 45 metaphorical units in 88 contexts extracted from 49 American articles. The relevance of the topic is connected with the debatable key problems such as: the typology of modern mass media text genres, the content-functional and linguistic features of analytical articles, in particular, the specificity of the use of conceptual metaphors in them. The aim of the article is to identify similarities and differences in the use of the destructive metaphors in the genre of analytical articles of Russian and American mass media in the formation of a conceptual understanding of the politically opponent state (USA and Russian Federation). The analysis used modern cognitive-semantic and cognitive-discursive techniques for textual material analysis. As a result of the study, it was found that in Russian and American analytical articles the same destructive model of metaphorization with semantically similar sources of transference formation is regularly used. But specific situations reflected in metaphorical contexts, as well as the syntactic, semantic and lexical compatibility of Russian and English metaphorical units, make it possible to create an individual conceptual image of the rival country (USA and Russia) in accordance with the socio-political / ideological political worldview of the subject of speech. Thus, it can be claimed that it is the cognitive function of conceptual metaphors that becomes leading in the genre under study.
Speech genres. 2024;19(4 (44)):357-367
357-367
Internet Genres
Genre diversity of official Telegram channels of higher educational institutions
Abstract
This article presents a study of the genre field of official Telegram channels of higher educational institutions in Russia. It is shown that the publications of these channels on this platform are similar in their structural and stylistic design: they have multimedia and text blocks, are characterized by concise and fragmented text, interactivity and hypertextuality, a combination of official-business and informal presentation of information, among other features. The genre composition of these channels has a core zone, which includes types of publications such as “news post,” “announcement post,” “presentation post,” “educational post,” and “digest.” Common genres on official Telegram channels of universities include “congratulatory posts,” “presentation posts of educational programs,” genres like “historical chronicle,” “interview,” “repost”; relatively rare genres include “diary,” “schedule,” “quotes,” and other models. The individual style of a specific channel is formed through a comprehensive approach to the composition of genre forms and their symbolic expression using multimedia, textual, and other systems. For the identification of different genres on this platform, thematic, stylistic, content-based, lexical features play a greater role than compositionalstructural and sign-formative characteristics. The stability and uniformity of the core zone of Telegram channels of universities, as well as the similarity of structural, stylistic, and linguistic characteristics of the genres included in it, allow us to speak about the possibility of classifying a university's Telegram channel as a special type of hyper-genre system.
Speech genres. 2024;19(4 (44)):368-384
368-384
The genre of the longread: A sociolinguistic aspect
Abstract
Nowadays some experts call the multimedia longread the heir of the traditional journalistic genres. The longread successfully combines texts, illustrations, video materials and other elements aimed to attract the reader and holding their attention. The complicated longread in the Internet media is opposed to the short and simple shortread which occupies the main place in the information flow of modern people. The experts are alarming about the declining interest in reading long texts (primarily books) among young people. That is why it is becoming necessary to study the attitude to longreads among this age group of Russians. For this purpose, a survey was conducted among 121 students of Russian universities, who measured the length of the texts they read in the Internet media during one week. The results of the survey revealed that 67% of the respondents do read longreads during the week. The survey also revealed two main reasons that prompted the interviewees to read them: significant motivation (educational process or first job compelled young people to look for answers in texts) and the attractiveness of articles written so well that reading them was not difficult or boring for this age group. At the same time, the main reasons for rejection were identified as being related to the quality of the texts themselves (vague wording, unclear structure), as well as inconvenient formatting (young people prefer to read texts via mobile devices).
Speech genres. 2024;19(4 (44)):385-393
385-393
Genres in philo- and ontogenesis
Structural features of narratives produced by bilingual children living in Kyrgyz Republic
Abstract
The article deals with Russian-language narratives produced by bilingual children aged 4–6 year, living in Kyrgyzstan and speaking both Russian and Kyrgyz languages. Children are developing in the situation of «mixed bilingualism», with Russian as a dominant language. Narratives were collected using the MAIN experimental tool, which includes several sets of pictures for telling/retelling stories, standard texts for retellings, and tables for evaluating speaking skills. In the article we consider the features of macro- and microstructure of narratives. The macrostructural characteristics of the text are i.e. the completeness of the story itself, coherence, story logic, verbal expression of the internal states of the characters. All our informants were able to create a complete outline of the story, mentioning all the main episodes and involving all the main characters. The children, however, mainly paid attention to the actually performed, really visible actions of the characters (story elements “attempt” and “result of the action”) and less often expressed verbally internal motives, goals, and intentions. As for the internal states, the children mainly described specific actions that they were able to understand unambiguously (ex., they used the verbs of visual perception, mental actions and speech). They described emotions and physical states more rarely. Characteristics of the microstructure include the length of the text and the utterance, lexical and grammatical correctness of speech, syntactic complexity, and lexical diversity. In the microstructure, no significant differences were revealed between children of different age groups: children aged 5 years old, in general, coped with generating narratives more successfully than children aged 4 and 6 years old. The errors mostly belong to the lexical and grammatical levels of the language system: the most common errors are caused by the use of strategies that facilitate language acquisition and are typical either for both bilingual and monolingual children (strategies of simplification and overgeneralization) or those who acquire a second language (grammatical transfer from the first language).
Speech genres. 2024;19(4 (44)):394-403
394-403

