Vol 24, No 1 (2024)

Articles

Functional and stylistic distinctive characteristics of the normative speech genre Schulordnung der Grundschule (based on German)

Bolshakova T.M.

Abstract

In the article the normative speech genre Schulordnung der Grundschule (Internal Regulations for Primary School Students) is considered on the material of the German language in the aspect of the functional and stylistic approach. The hypothesis is tested that the functional and stylistic peculiarity of the genre is the result of the interaction of formal and business style and the colloquial one, which act as the environment for the functioning of the genre and the texts actualizing it in the situation of institutional communication of adult norm-senders and children norm-recipients. The empirical material is represented by 100 text units created in accordance with the genre, the main purpose of which is to regulate the behavior of young schoolchildren while they remain in the educational institution. On the example of three stylistic features of formal and business speech – impersonality, non-emotionality and accuracy – it is shown how multi-level language means of colloquial style penetrating the normative texts violates their stylistic homogeneity, modifies stylistic features, and forms the inter-style nature of texts, reflecting the intention of addressees to take into account the cognitive and psychological characteristics of the younger subjects of the norm in the process of decoding normative messages by them. It is concluded that the genre of Schulordnung der Grundschule, as a way of selecting and combining linguistic means, shows openness towards different style inclusions, giving the addressees the opportunity to freely vary the linguistic means at their discretion in accordance with the ideas of the pragmatic effectiveness of the statement.
News of Saratov University. Ser. Philology. 2024;24(1):4-11
pages 4-11 views

English-Russian Navigation Dictionary as part of the Marine Navigation Course

Epimakhova A.S.

Abstract

The artilce considers the English-Russian Navigation dictionary in the context of its creation. The dictionary evolved from a small appendix to a textbook into a separate edition, which is a part of a multi-volume Marine Navigation Course. The Navigation Dictionary as part of the Marine Navigation Course ed. by Yakov Lapushkin was published twice: in 1947 by Nikolay Rybakov and in 1960 by Tamara Rutkovskaya. The representatives of the professional naval, academic, and scientific community, including the well-known lexicographer Alexander Taube, contributed to this dictionary. A comparative analysis of the sources shows the continuity between these dictionaries in their content, design and structure. The demand for the new 1960 version was explained by a rapid scientific and technological progress, as well as by the requirements to take into account not only British, but also American sources due to the increasing role of the United States in the navigation in this period. The need to create a navigation dictionary, including both special terminology and basic commands, was justified in the textbooks by Nikolay Rybakov, and in the preface to the dictionary by Tamara Rutkovskaya by the role that this language played in professional naval communication. Navigators needed a modern English-Russian dictionary that could be used for reading foreign manuals, for communication with pilots; such professional skills should have been obtained in the course of studies. Nowadays, old dictionaries compiled scores of years ago, remain a valuable source of information on the history of the Russian scientific and technical thought and professional communication.
News of Saratov University. Ser. Philology. 2024;24(1):12-19
pages 12-19 views

Expressive ways of creating new nominations in social networks (on the example of the Telegram social network)

Zamaldinov V.E.

Abstract

The article analyzes expressive ways of creating new lexical units. The material consists of contexts of various contents extracted from the open resources of the Telegram messenger in the space of 2021–2023. Research methods and techniques include continuous sampling, the descriptive method with elements of interpretive analysis, word-formation analysis. New nominations formed with the help of contamination have been identified. Such word-forming neologisms are used to create a comic effect. The contaminated innovations that participate in the strategy of discrediting Orthodoxy are analyzed. New lexical units indicate a low communicative competence of the addresser. Tmesis nominations are characterized. It is proved that these media innovations have a special expressiveness, attract the user’s attention. The new nominations that have arisen as a result of the inter-word overlap are considered. It is confirmed that media innovations created with the help of inter-word overlay express evaluation and are a means of language play. The new nominations formed as a result of graphixation and its varieties are analyzed. Graphic hybrids participate in the creation of intentional ambiguity, express an individual element, stimulate the imagination of readers. New lexical units based on precedent phenomena are registered. It is established that such new nominations attract the attention of the addressee, disrupt predictability, enhance the expressiveness of the title. Such media innovations are noted, which have expletive and obscene lexemes in their structures as derivational bases. Aggressive nominations cause users to backlash, to violate ethical norms of speech behavior. The results of this paper may be of interest to teachers, students, cadets, as well as to anyone interested in active processes in the field of word formation. 
News of Saratov University. Ser. Philology. 2024;24(1):20-25
pages 20-25 views

Text internationalization in the paradigm of linguistic and translatological studies: Global and pre-localization directions of internationalization

Shepovsky O.E.

Abstract

The research deals with linguistic and extralinguistic features of the internationalization process of multimedia products text materials. The term internationalization is considered in the paper within the framework of the translation activity “GILT processes” (processes of globalization, internationalization, localization and translation). The article describes the current state of linguistic and translatological studies of the internationalization process. The paper presents the definition of the internationalization concept. The range of procedures carried out in the process of internationalization is defined. The paper describes the most significant technical procedures performed on the product during internationalization. The paper provides some characteristic linguistic transformations caused by the tasks of internationalization. The research paper offers several examples of using internationalization in the video game industry, the film industry and in creating multilingual and global versions of websites. As a result of the conducted research, two directions of internationalization were identified: pre-localization and global ones. The pre-localization direction of internationalization is to create an intermediate version of the product (mainly in English), which serves to simplify localization (following internationalization) into other languages. This approach significantly reduces the cost of creating a multilingual version of the product. The global direction of internationalization is to create a global version of this product in English. It is assumed that users of the global version can be not only native English speakers, but also those who speak it as a foreign language. Due to the wide spread of English as a foreign language in the world, the creation of an internationalized English version of the product allows companies to enter the global market with significantly lower financial costs and in a shorter timeframe than in the case of creating a multilingual version of the same product. 
News of Saratov University. Ser. Philology. 2024;24(1):26-32
pages 26-32 views

Lexico-semantic features of creating the image of the protagonist in the novel Zumalacárregui by B. Pérez Galdós

Tereshchuk A.A.

Abstract

The article analyzes the linguistic features of the novel Zumalacárregui by the Spanish writer Benito Pérez Galdos, first published in 1898. The novel opens the third series of the National episodes (Episodios Nacionales) and is dedicated to the First Carlist War in Spain (1833–1840). The protagonist is the Carlist general T. de Zumalacárregui, whose Doppelgänger is the priest José Fago. General T. de Zumalacárregui is frequently mentioned in periodical publications, in memoires and in fiction of the 19–20th centuries. The article analyzes nouns, adjectives and substantive combinations used by the writer to create the image of the protagonist. The semantic fields “war”, “politics” and “religion” are distinguished among the lexical units used in relation to the general. The image of T. de Zumalacárregui is analyzed separately in the direct speech of the characters of the novel. The most common lexemes used to describe the general are “caudillo” (“leader”), “guerrero” (“warrior”), and “héroe” (“hero”). These lexical units, commonly used with positive connotations, acquire a comic connotation in the context of the novel or serve to express a negative value judgment. The vocabulary related to the semantic field “religion” at first sight repeats the clichés of Carlist propaganda, according to which T. de Zumalacárregui appears as a “martyr” who suffered for the “Cause”. At the same time, by replacing individual lexical units, the author turns the protagonist into a parody of Christ. The vocabulary related to the semantic field “politics” is analyzed. T. de Zumalacárregui appears in the work as a supporter of “Absolutism”. It is concluded that B. Pérez Galdós, copying some clichés of Carlist propaganda, created a negative image of T. de Zumalacárregui.
News of Saratov University. Ser. Philology. 2024;24(1):33-38
pages 33-38 views

“Our family was called the ‘blessed family’ in the city...” (to the biography of Alexander Nikolaevich Pypin)

Stepanova E.V.

Abstract

The work deals with the questions of the biography of the outstanding Russian scientist-humanitarian, academician of the Imperial Academy of Sciences A. N. Pypin (1833–1904). The purpose of the study is to identify and summarize materials about the Saratov period of the scientist’s life, to present the history of his family, to reveal the role of his father and mother in intellectual and spiritual development. The study of a wide range of memoirs, documentary and epistolary sources resulted in establishing that the history of the noble family of the Pypins dates back to 1791. The ancestors on the father’s side, N. D. Pypin, were clerical workers, on the side of the mother A.E. Golubeva they were priests. It is shown that A. N. Pypin was brought up in a religious family, with high moral ideals, in the atmosphere of love and care. The role of parents in the formation of his humanitarian interests is significant. It is noted that the love of books and reading that distinguished Alexander Nikolaevich from an early age came from his family, from his mother, and was a natural necessity for all younger family members. Parents formed a picture of the world of their son by various means. If the mother did so through literature, primary educational knowledge, then the father formed it by means of contact with real life. He introduced his son to the world of peasant life, of serfdom. According to the scientist, N. D. and A. E. Pypins had a significant impact on the formation of his personality, influenced the choice of life priorities. The paper publishes for the first time the primary source about the birth of A. N. Pypin, the record in the metrical book of Saratov Church of the Holy Saviour, the formulary lists of his great-grandfather, grandfather and father.  
News of Saratov University. Ser. Philology. 2024;24(1):39-46
pages 39-46 views

On the influence of the novel What Is to Be Done? by N. G. Chernyshevsky on the work of S. A. Yesenin

Samodelova E.A.

Abstract

The article discusses the origins of Sergei Yesenin’s acquaintance with the novel What Is to Be Done? by N. G. Chernyshevsky: this happened in Spas-Klepikovskaya second-class teacher’s school in 1909-1912. The work was read among the intellectuals, and students outside of school hours argued about it and embraced the ideals of the “new people”. Later Yesenin encountered Chernyshevsky’s novel at the lectures on Russian literature by P. N. Sakulin at Moscow City People’s University named after A. L. Shanyavsky. As a result, a number of elements of Chernyshevsky’s poetics were associatively reflected in Yesenin’s long and short poems as well as in his story Yar. In the works of Yesenin figurative echoes with Chernyshevsky are noticeable. The main ideological moments that worried both writers include: the wonderful future of the Fatherland, the conscious creative arrangement of the earthly paradise in the country. Among artistic means, the writers used the epithet “new”, applied it to the re-interpretation of the biblical laws of human society in terms of freedom, equality and brotherhood. Both writers considered this epithet to be the main element in describing both the process of building a just state system, and in characterizing the creators of a better life. Understanding the importance of the nuances of psychology for each person, Chernyshevsky and Yesenin developed the concept of mystery. Chernyshevsky used the successfully found philosophical solution to create reliable everyday pictures, and Yesenin endowed it with further biblical and mythological meanings, asserting the “mystery” as a comprehensive postulate of sophianism. In his personal life, Yesenin in his youth followed the example of the everyday habits of Rakhmetov, but without repeating the entire line of behavior of Chernyshevsky’s literary character. Yesenin gave his main characters in the story At the White Water (<1915>) unusual names that appear in minor characters and characters mentioned in passing in Chernyshevsky’s novel. However, in order not to assert the comprehensive nature of Yesenin’s borrowings of Chernyshevsky’s creative findings, the article presents other possible sources of names and biographical foundations for some of the poet’s behavioral lines.
News of Saratov University. Ser. Philology. 2024;24(1):47-54
pages 47-54 views

Dispute over M. P. Artsybashev’s play Jealousy in Saratov community

Romaykina Y.S.

Abstract

Based on the material published in newspapers Saratovskiy Listok (Saratov Leaflet) and Saratovskiy Vestnik (Saratov Herald) the article analyzes the dispute in Saratov community over a provocative drama about a “wife killer” Jealousy – the first play written by a fashionable and scandalous author, M. P. Artsybashev. The reasons for the popularity of the play’s simplified interpretation of F. Nietzsche’s ideas that influenced the development of gender issues and shaped the shocking libertine image of a “new” female predator in public consciousness are revealed. The article observes 12 invariably full-house performances that were staged in November and December of 1913 in the City Theatre of Saratov. Much attention is paid to the dispute held by Saratov intellectuals on the topic of “women and jealousy” and to a mock public trial that had caused a wide publicity; in the course of this trial the husband who had murdered his wife was acquitted and the wife who had flirted openly with other men was found guilty of “reprehensible conduct”. The speech of the only female speaker taking part in the dispute – a teacher of Saratov refresher courses for women by A. I. Lelkova – stands out. The reaction of Saratov press to the lectures of Moscow speakers (About Women’s Freedom and Men’s Slavery by N. Ya. Abramovich and The Woman Judged by Modern Literature by S. Glagol’) is described. Parodies on Jealousy published in the newspapers of Saratov and therefore indicating the popularity of Artsybashev’s play are also discussed. The study concludes that the reviewers of Saratov newspapers were trying to explain the popularity of Jealousy both in terms of its artistic value (in comparison with L. N. Tolstoy’s The Kreutzer Sonata and L. N. Andreyev’s dramas) and from the perspective of social issues reflected in the play (women’s rights and social status in the family and society, abusive relationships, domestic violence). The reviewers of Saratovskiy Listok gave overall favorable and sometimes rapturous responses to Jealousy, while Saratovskiy Vestnik printed in general negative, sarcastic reviews.
News of Saratov University. Ser. Philology. 2024;24(1):55-61
pages 55-61 views

Praising Stalin’s nomenklatura in The Bearer of the Golden Star: The novel by Semyon Babayevsky and the film by Yuliy Raizman

Mikhailin V.Y.

Abstract

One of the most popular novels in late Stalinist USSR, The Bearer of the Golden Star (1947–1948) by Semyon Babayevsky, is seen now as a representative symbol of “grand” or “varnishing” style in literature – to the same measure as the eponymous film (1950) by Yuliy Raizman did for the Soviet cinematic tradition. High official status of both texts guaranteed by Stalin’s awards matched the overwhelming success they both enjoyed with general public. The author here makes an attempt to examine the possible reasons of this popularity and offers a look at The Bearer of the Golden Star as at panorama both of a newborn after the World War II privileged social stratum, nomenklatura, and a system of social elevators leading to it – as much demanded by its target audience. The modes of fictional re-interpretation of real bureaucratic procedures are considered as well as the authors’ dealing with the key characters representing different nomenklatural positions; and also some «ethnographic» characters used to blur the border between social strata, so that the Soviet “new ruling class” could still be seen as an integral part of “working people”. The paper also deals with operational mechanisms of manipulative political metaphors and with those means Semyon Babayevsky and Yuliy Raizman used to ensure the highest possible level of propaganda impact. Special attention is also paid to the figure of Stalin as the key element in the “Grand style” mythology that form a hidden suggestive structer of the text.  
News of Saratov University. Ser. Philology. 2024;24(1):62-69
pages 62-69 views

The function and mission of the “little man” in Bulat Okudzhava’s novel Poor Avrosimov

Aleksandrova M.A.

Abstract

In the beginning of the article we correlate Okudzhava’s story about the creative history of his novel (“invention” of the scrivener’s image) with the writer’s statements about Decembrism, which allows us to solve the following tasks: 1) to restore the main creative impulses of the writer; 2) to characterize the formation of his cognitive strategy, which covers the mythologized past and the tragic events of the Soviet era; 3) to clarify a number of definite functions of the “little man” that have not yet been noted by the interpreters of the novel; 4) to highlight the mission of the “little man” that reveals Okudzhava’s ethical principle. We consider the artist’s inconsistency in stylizing the thinking of the “little man” (the lead character and his psychological counterpart – the narrator) as a means of involving the contemporary reader in a dispute about the conflicts of the past inherited by the 20th century. We show the fundamental novelty of the embodiment of the Decembrist theme in the mirror of the perception of literary critics of the 1970s, who remained in the grip of the myth of the first Russian revolutionaries in its two varieties (official or alternative, cultivated by freethinkers), which interfered with the proper perception of the status of the “little man” next to a historic figure. Our task is to show that the merciful ethics of the artist, compassionate to the sufferer, soften Okudzhava’s civic intransigence towards the ideology of Pestel, whose state utopia became a Soviet reality; thus, we substantiate the regularity of the election of the “little man”, who himself needs indulgence, to the role of the spokesman for Pushkin’s commandment of “mercy to the fallen”. We trace the bold development in Okudzhava’s novel of the classical tradition of the “little man” experiencing his own drama of the “weak heart”. The echoes of Avrosimov’s fantasies about saving Pestel with Pushkin’s poem “Deep in Siberia’s mines...” are comprehended in the article as a sublimation of the author’s pain about the tragic fate of the Decembrists.
News of Saratov University. Ser. Philology. 2024;24(1):70-77
pages 70-77 views

Translation of Solzhenitsyn’s work in the mode of “internal distribution” in China (1960–1980)

Zhou L.

Abstract

In China, the interest to the work of A. I. Solzhenitsyn arose soon after the publication of his story One Day in the Life of Ivan Denisovich in the journal New World with the permission of N. S. Khrushchev in 1962, which immediately attracted the attention of Chinese literary circles. However, the initial interest in Solzhenitsyn was connected with the political situation in China at that time. The period from the 1960s to the 1980s can be considered the initial stage of the translation of the writer’s work. Almost all the works translated during these years were marked by “internal distribution”. The purpose of this paper is to identify the features of the history of translation and publication of A. I. Solzhenitsyn’s work in the “internal distribution” mode with Chinese characteristics. In the course of the research, for the first time, a connection is established between the system of production of printed materials in the 1960–1980s in China and the process of translating the works of the Russian writer, which determines the scientific novelty of this work. The author of the article pays special attention to the analysis of the historical background of the implementation of the “internal distribution” regime in China. The implementation of such a regime in the 1960–1980s was inseparable from the social, political and cultural context of the time. Knowledge of the context and historical background of this phenomenon will help not only to understand the historical conditions for the translation of Solzhenitsyn’s works during this period, but also to clarify the general picture of the acceptance of the writer in China. The study reveals that the label “internal distribution” for a long time influenced the perception of Solzhenitsyn’s work by the Chinese audience, giving rise to a critical, negative attitude towards the writer himself and his works. However, with the disappearance of ideological pressure in the 1990s, a rational study of the work of A.I. Solzhenitsyn begins in the Chinese scientific community and it is evaluated precisely from the point of view of the literary heritage.
News of Saratov University. Ser. Philology. 2024;24(1):78-84
pages 78-84 views

The confrontation of savageness and civilization in Joe Abercrombie’s fantasy Western Red Country

Ivanova E.A.

Abstract

In the novel Red Country the famous British author Joe Abercrombie carries out a genre experiment combining in one book the features of such distant and incongruous genres as fantasy and Western. He constructs in his imaginary world a territory with all specific characteristics of a Western chronotopos and actively uses typical plot devices of the Western. But on the level of ideas the plot of Red Country comes into a conflict with the basic values of the Western, instilling the clichés borrowed from this genre with a unique author’s meaning. A good example of this is Abercrombie’s unexpected development of the subject of savageness and civilization. A conflict with savage Indians who must give way to the white man and his civilization is an obligatory part of Western ideology. The attitude to savages in Westerns has undergone some changes, but the opposition of savages and the civilized society remains unchanged. In Red Country Abercrombie uses traditional episodes of Indian attacks etc. according to the Western genre conventions, but afterwards he shows the relativity of the ideas of civilization and savageness themselves; since attributing these characteristics to one or the other group of characters depends exclusively on one’s point of view. The problems of the civilization of the Western kind are also highlighted: its coming leads to the destruction of the indigenous ways of life and brings about the reign of unscrupulous greed. Characters, portrayed as traditional savages in the beginning of the novel, are seen later already as bearers of dying ancient cultures. The fact that they are becoming extinct under the pressure of modern civilization does not bring any satisfaction, as a victory over savageness in a Western should do. This is achieved by actualizing the understanding of dying ancient cultures inherent to fantasy. Therefore, the novel Red Country reconsiders the genres of Western and fantasy and supports values of the modern multicultural and post-colonial society. 
News of Saratov University. Ser. Philology. 2024;24(1):85-89
pages 85-89 views

The typology of actors in Czech TV News in 1989–2021

Lapuk E.V.

Abstract

A human face is called one of the main expressive means of the screen, this is true for all kinds of audiovisual content including television news, which have a high degree of credibility among the audience due to their audiovisual nature. The main purpose of the paper is to study whether and how the actors in television news have changed in the period of 1989–2021. We employed the content analysis to examine 1608 TV news items of one of the Czech TV channels in three periods – 1989, 2005 and 2021. We analyzed 2755 fragments of interviews that form the video news. The findings of the research illustrate how the number of actors in the Czech TV news rose by 2005–2021 (the number has increased 7-9 times compared to 1989), and the presence of journalists – the authors of the news pieces – in the frame has increased significantly too. There is a stable functional structure of actors typical for all three periods of the research: on average, the presence of about 70% of “participants”, 20% of “eyewitnesses” and 10% of “experts” in TV stories is revealed. According to the categorization of actors by areas, we found out that there is a significant domination of the representatives of the political area: from 47 to 61% of the actors (“participants”) relate to politics and power. Over the years, the presence of foreign politicians in Czech television news has grown, and there has been a substantial increase in the number of representatives of public organizations as actors. In addition, there is a democratization of actors in the economic sphere: the number of “managers and businessmen” has at least halved over the years, and the number of specialists and employees in Czech TV news has increased four to six times. 
News of Saratov University. Ser. Philology. 2024;24(1):90-98
pages 90-98 views

Research on Western media coverage of 2022 Beijing Winter Olympics

Li M., Xiong J., Qin B.

Abstract

As the Western world’s policy towards China has been changing in recent years, the international public opinion, that China comes into contact with, is also deteriorating, which has a serious negative impact on forming the international image of China and on shaping soft power. In the context of the rapid development of modern information technology, sports events like the Winter Olympics are often accompanied by large-scale media coverage and propaganda, and it is important to deal with the negative coverage of the Olympics involving China in the Western media and to build a good national image through the Winter Olympics. This study focuses on the specific content of Western media reports on China during the 2022 Beijing Winter Olympics cycle, and summarizes and analyzes the characteristics of “distorted facts”, “far-fetched” and “prominent political demands” in the negative reports on China in the Western media during the Winter Olympics. Based on the importance of guiding international public opinion and covering by media of such large sporting events as the Olympic Games, it is urgent and necessary to improve China’s international public opinion crisis response mechanism and enhance national and international media capacity. In this regard, this paper proposes four specific response strategies: strengthening the international communication capacity of mainstream media, enhancing the role of the government in guiding and making decisions, strengthening cooperation with international media; and making full use of our own media platforms.
News of Saratov University. Ser. Philology. 2024;24(1):99-110
pages 99-110 views

Forgotten names

Khroustaleva A.V., Korotin V.O., Gavrilova A.A.

Abstract

This article evaluates the book dedicated to the work of Nikolai Korolkov. The authors of the review point out the necessity to expand the database of the sources with the help of the Moscow archives, they also suggest that the references to many available sources could help create a more holistic impression of the personality of the writer. Thus, the review of the work The city of roofs, deposited in the Russian State Archive of Literature and Art, has not been mentioned. The same archive holds other documents relevant for this topic. Since Saratov Association of Proletariat Writers (SAPP) was not validated in 1924 due to the lack of charter, the filing documents of its members are in Moscow, in the place where the funds of the principal organization – All-Union Association of Proletariat Writers (VAPP) – are deposited. The record card of the VAPP member was not used, although it could have helped to compile a more thorough biographical reference about the writer, since the record cards of this type always contained profession and the place of work or study of the member of the organization. The bibliography does not mention the already arranged chronicle of SAPP activity, the works of P. A. Bugaenko, A. K. Zhuikova, A. A. Demchenko, I. Yu. Ivanyushina, E. G. Elina, A. N. Donin and many others are not touched upon either. The most recent article by A. S. Kasovich is not cited (2022). Nevertheless, it is highlighted that the authors have delivered significant material for further research. Saratov school of philology is urged to render bibliographic help to the authors for the comprehensive augmentation of knowledge.
News of Saratov University. Ser. Philology. 2024;24(1):111-114
pages 111-114 views

“Modern speech communication in different spheres of society”: Results of the International Conference dedicated to the 100th anniversary of Professor O. B. Sirotinina

Baikulova A.N., Degaltseva A.V.

Abstract

The article reviews the International Conference “Modern speech communication in different spheres of society” that took place on October 20–21, 2023, at the Institute of Philology and Journalism of Saratov State University. The conference was dedicated to a unique event – the 100th anniversary of SSU professor, an outstanding linguist, Olga Borisovna Sirotinina. Researchers from different cities of Russia and different countries (Armenia, Poland, Mongolia) responded to this significant event. At the opening of the conference welcoming words were said by the Deputy-Rector for Research and Digital Development of SSU A. A. Koronovsky; Head of the Department of General Literary Studies and Journalism, Professor of SSU V.V. Prozorov; Head of Priority Projects and Programs, Professor of SSU E. G. Elina; Professor of the State Institute of Russian Language named after A. S. Pushkin, Chairman of the Russian Association of Researchers, Teachers and Teachers of Rhetoric V. I. Annushkin. The speakers emphasized the timeliness and significance of the conference, and highly appreciated the many years of scientific activity of O. B. Sirotinina. The article provides a brief overview of plenary and sectional reports. At the plenary session, such problems were raised as those of the history and formation of linguistic science in Saratov, and the development by O. B. Sirotinina and V. E. Goldin of the theory of types of speech culture. Some of the reports were dedicated to O. B. Sirotinina as a wonderful researcher, a unique person, the author of the book of memoirs “Life regardless, or I am a happy person” and personal diaries “And life will fly by like a dream...”. The sections were dedicated to the following areas: “Modern speech communication in the educational environment of universities and schools”, “Spoken speech and its place in the modern communicative space”, “Speech culture and its formation in modern communicative practices”, “Institutional discourse and issues in studying this discourse”, “Media sphere and media language”. The conference has become a historic occasion in the life of Saratov State University.  
News of Saratov University. Ser. Philology. 2024;24(1):115-120
pages 115-120 views

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