Variability in epic performance: zhyrshy between tradition and creativity

INTRODUCTION. Based on the works of the 19th-century Russian school of folkloristics (V.V. Radlova, P.N. Rybnikova, A.F. Hilferding and others) and 20th century research (B.N. Putilov), the interaction of the epic text narrator (zhyrshy) is examined within the context of the variability of the oral Kazakh tradition. The aim of the study is to identify and analyze the specific features of the interaction between the storyteller and the epic text in the context of performance variability, and to trace the evolution of scientific approaches to this problem in Kazakh epic studies.

MATERIALS AND METHODS. The research material consisted of theoretical and practical studies in the field of Kazakh epic studies. To identify the variability of epic texts, a comparative historical method was used, which makes it possible to identify the conditions for the variability of the object under study and a descriptive method represented by the techniques of analysis and comparison. The methodology includes analysis of scientific literature and comparison of Russian and Kazakh experience.

RESULTS AND DISCUSSION. A comparative study of the variability of the epic performance by zyrshy in the traditional aspect and in creative performance helps to reveal the storyteller's attitude towards the world and humanity, and helps to reflect national cultural and historical realities.

CONCLUSION. Prospects for further scientific research should be directed towards the study of the mechanisms of variability in the epic performance of the narrative within traditional national culture as a unique mental space.