Email this article Cultural-philosophic peculiarities of appearance and formation of Russian icon-painting school
- Authors: NIKOLSKIY M.V.1
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Affiliations:
- Tambov State University named after G.R. Derzhavin
- Issue: Vol 1, No 1 (2015)
- Pages: 54-65
- Section: THEORY AND HISTORY OF CULTURE
- URL: https://ogarev-online.ru/2587-6953/article/view/303092
- ID: 303092
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Abstract
Cultural-philosophic peculiarities of appearance and formation of Russian icon-painting school, starting from first icons, which were in Russia before Moscow icon-painting school are reviewed. The language of icon as of a form of expression of spiritual postulates is analyzed. The works of icon-painting of Novgorod, Pskov, Vladimir-Suzdal and Tver schools are analyzed and listed, and also temple art in general with the help of cultural-philosophic methods. The historical studies of art, cultorological and philosophic preconditions of appearance and formation of Russian icon-painting schools with their peculiarities are shown. These are Novgorod temple art with image-contemplative reading of iconographic image, Pskov temple art with figurativeness and integrity, Vladimir-Suzdal temple art with its spiritual-esthetic beauty of images, Tver temple art with clearness and laconic of icon image. The interactions of Byzantine and Russian icon-painting schools, their common and different features are revealed. The model of peculiarities of appearance and formation of Russian icon-painting shool till Moscow period in icon-painting is presented. The peculiarities of language of icon as of form of expression of spiritual postulates are identified. The basic resources on theme of research are proposed.
About the authors
Mikhail Viktorovich NIKOLSKIY
Tambov State University named after G.R. Derzhavin
Email: timnik2004@rambler.ru
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