Oneiric Motifs in Nikolai Gogol’s “Evenings on a Farm Near Dikanka” and Pu Songling’s “Strange Tales from a Chinese Studio”: Dreaming as a Journey

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Abstract

The article contains a comprehensive analysis of oneiric motifs in Gogol’s early prose and in Pu Sunlin’s collection of fantasy stories. Common motifs are identified for further comparative study and interpretation. It is concluded that in the works of both writers, sleep is not only a special physiological and psychological state, but also a journey of the characters into the otherworld.

About the authors

Wenjun Sun

Lomonosov Moscow State University; Shenzhen MSU-BIT University

Author for correspondence.
Email: sunventszyun@yandex.ru

Postgraduate Student of Department of Russian Literature, Faculty of Philology; Lecturer

Russian Federation

References

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  2. Evdokimov, A. A. (2018). O genezise noktyurnal’nosti v Vecherah na hutore bliz Dikan’ki N. V. Gogolya // Poeziya filologii. Filologiya poezii (pp. 45–50): Proceedings of the conference dedicated to A. A. Ilyushin. Tver: Izdatel’ A. N. Kondrat’ev. (In Russ.)
  3. Pu Songling. (2023). Strannye istorii iz Kabineta Neudachnika (Lyao Chzhaj Chzhi I) = Strange tales from the Chinese Studio. (Liao Zhai Zhi I) Petersburg: SPbSU Publishing House. (In Russ.)
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  6. 马瑞芳. (2016). 中国古代小说构思学. 山东, 山东教育出版社. = Ma Ruifang. (2016). Conceptualization of Ancient Chinese Novels. Shandong, Shandong Education Press. (In Chinese)
  7. Gogol, N. V. (2003). Polnoe sobranie sochinenii i pisem (Vilums 23. V. 1= Complete works and letters in 23 vol. 1. Moscow: Nauka, IMLI RAN. (In Russ.)
  8. Kao, K. S. Y. (1985). Classical Chinese Tales of the Supernatural and the Fantastic. Bloomington, IN: Indiana University Press.

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