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作者
The History of the formation of Iranian poetic avant-garde in the 20th century
Radandish P.
The "Religion of Love" in the poetry of Guruzada Apparao as an educational philosophy
Volkova A.
Russian translations of Stefan Mallarmé's poem "Apparition"
Li P.
The Oriental context of the topos of the garden in Russian "Fin de siècle" poetry
Dyachenko T.
Crying as a Dance in the "After Russia" book : On the Addressee of Marina Tsvetaeva's Poem "A Gypsy's Lament for Count Zubov"
Kornienko S.
The image of the wind in the socio-philosophical lyrics of Albert Vasiliev
Lyubimov N.
Interpretation of the metaphor of poetic creativity in the poem "Brise marine" by S. Mallarmé in the translations of O. E. Mandelstam and M. V. Talov.
Li P.
Poetry Translation Techniques as Exemplified by German and English Translation of Peter Yershov’s Tale «Конёк-Горубнок» («Das bucklige Pferdchen», «The Little Humpbacked Horse»)
Kostovskaya O.
Reflection of theological ideas about spiritual and bodily principles in N. Gumilev's triptych "Soul and Body"
Yanenko A.
The existential paradigm of F. Tyutchev's creativity in the context of philosophical and aesthetic research of the first half of the XIX century
Mysovskikh L.
On the essence of poetic creativity in the understanding of V. Solovyov and Yu.N. Govorukha-Otrok
Zakharova E.
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