Email this article Features of the development of a professional singing sound of pop-jazz performers in the process of teaching performance skills
- Authors: Arzamastseva O.V.1, Tyurina L.A.1
-
Affiliations:
- Derzhavin Tambov State University
- Issue: Vol 26, No 191 (2021)
- Pages: 123-129
- Section: THEORY AND METHODS OF SOCIAL AND CULTURAL ACTIVITY ORGANIZATION
- URL: https://ogarev-online.ru/1810-0201/article/view/298366
- DOI: https://doi.org/10.20310/1810-0201-2021-26-191-123-129
- ID: 298366
Cite item
Full Text
Abstract
The urgency of vocational training for pop-jazz musicians is substantiated. The aim of the study is to determine the necessary components in the work on professional sound production in the process of teaching pop-jazz vocal, as well as to demonstrate some ways to increase the efficiency of work on sound in the classroom. The issues of the development of a professional singing voice in the process of teaching pop-jazz performance are considered. The research methods included: study of special literature, analysis and generalization of research and pedagogical experience of the work of leading specialists in the field of music education and performance. The high degree of influence of the level of professional training of performers-vocalists on the national musical culture is proved. Practical recommendations for work on singing sound production in the process of professional training of pop-jazz singers in modern music educational institutions are presented.
Keywords
About the authors
O. V. Arzamastseva
Derzhavin Tambov State University
Email: olesyaarzamasceva@mail.ru
ORCID iD: 0000-0002-1909-7362
Associate Professor of Performing Arts Department
33 Internatsionalnaya St., Tambov 392000, Russian FederationL. A. Tyurina
Derzhavin Tambov State University
Author for correspondence.
Email: sergin1@mail.ru
ORCID iD: 0000-0001-6673-7185
Candidate of Pedagogy, Associate Professor, Associate Professor of Performing Arts Department
33 Internatsionalnaya St., Tambov 392000, Russian FederationReferences
- Bogdanov I.A. Postanovka estradnogo nomera [Staging a Variety Act]. St. Petersburg, Chistiy List Publ., 2004, 317 p. (In Russian).
- Glinka M.I. Sbornik materialov i statey [Articles and Research Sourcebook]. Moscow, Leningrad, Muzgiz Publ., 1968, 321 p. (In Russian).
- Dmitriev L.B. Osnovy vokal’noy metodiki [Fundamentals of Vocal mehods]. Moscow, Muzyka Publ., 2007, 368 p. (In Russian).
- Chernova V.I. Uchimsya improvizirovat’ i podbirat’ na slukh: prakticheskiy kurs na materiale estradno-dzhazovoy muzyki [Learning How to Improvise and Play by Ear: Practical Course Based on Variety and Jazz Music Research]. Novosibirsk, Okraina Publ., 2003, 68 p. (In Russian).
- Teplov B.M. Psikhologiya muzykal’nykh sposobnostey [Psychology of Musical Abilities]. Moscow, 1947, 355 p. (In Russian).
- Stepurko O.M. Sket-improvizatsiya [Scat-Singing]. Moscow, Kamerton Publ., 2007, 191 p. (In Russian).
- Karyagina A.V. Dzhazovyy vokal: Prakticheskoye posobiye dlya nachinayushchikh [Jazz Vocal: Practical Book for Beginners]. St. Petersburg, Lan’ Publ., 2008, 48 p. (In Russian).
- Chugunov Y. Estradno-dzhazovyy vokal [Pop-jazz vocals]. Dzhazovaya mozaika [Jazz Mosaic]. Moscow, 1997, pp. 72-78. (In Russian).
- Rovner V. Iskusstvo vokala [Art of Vocal]. St. Petersburg, Nota Publ., 2006, 28 p. (In Russian).
- Petrushin V.I. Muzykal’naya psikhologiya [Music Psychology]. Moscow, 1997, 384 p. (In Russian).
Supplementary files
