On the lexical-semantic analysis of poetic texts using V. Vysotsky's works as an example

this article analyzes the lexical-semantic field of color in V. Vysotsky's poetry. This is a relevant area for both cultural linguistics and literary studies, as well as linguistic textual analysis, as it is based on expanding understanding of the author's idiostyle and describing the linguacultural code. Identifying the characteristics of the author's color worldview is based on systematizing adjectives with direct and primary color meanings, as well as prototypical color referents, taking into account their frequency of use. This study revealed patterns in the use of qualitative and relative adjectives in color meaning, as well as the formation and functioning of short forms of color names, as well as compound adjectives. An important part of the study is the analysis of verb forms (prefixed and non-prefixed verbs, participles, and adverbial participles) that carry color meaning, the active use of which attests to the dynamism of the poet's works. Vysotsky's selective use of color adverbs, applied exclusively to the colors black and white, is also noted. The results demonstrate the uniqueness of the author's approach to expressing color, pointing to the profound connection of linguistic means with the poet's overall conception of the world.

color worldview, lexical-semantic field, prototypical referents, color verbs, short forms, dominant color