| Issue |
Title |
File |
| Vol 5, No 4 (2024) |
“Civilization of Leisure”: Cultural Challenges and Compensatory Potential of the “Response” |
(Rus)
|
|
Zubanova L.B., Gromova O.M.
|
| Vol 6, No 2 (2025) |
“Courtly refinement”: Special Features of Some Female Portraits of the Fontainebleau School |
(Rus)
|
|
Russkikh D.P.
|
| Vol 6, No 2 (2025) |
«Culture of narcissism» by Christopher Lash |
(Rus)
|
|
Zotov A.M.
|
| Vol 4, No 1 (2023) |
A Focus in Which the Interests and Requests of the Peasantry Intersect: Village Reading Rooms of the Crimean ASSR in the 1920s |
(Rus)
|
|
Pirozhkova T.V.
|
| Vol 3, No 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
(Rus)
()
()
()
|
|
Kuprina E.Y.
|
| Vol 4, No 1 (2023) |
Living Mask and Character-Figure as Phenomena of Plastic Visualization and the Fundamental Principles of Plastic Language of Thinking (as Exemplified by the Ethnic Group of Mordvins) |
(Rus)
|
|
Dogorova N.A., Voronina N.I.
|
| Vol 4, No 1 (2023) |
Romeo and Juliet by S. Prokofiev and l. Lavrovsky as a Sample of Choreodrama on the Stage of the G.Ts. Tsydynzhapov Buryat State Academic Opera and Ballet Theater |
(Rus)
|
|
Bagadaeva A.G.
|
| Vol 6, No 3 (2025) |
A bouts-rimés novel in Russian fiction of the 1910s: phenomenology, authors’ intentions and sociocultural context |
(Rus)
|
|
Tanaseychuk A.B.
|
| Vol 3, No 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
(Rus)
|
|
Ionesov V.I., Khrenov N.A.
|
| Vol 6, No 4 (2025) |
A meeting on the Votyak land: the results of the round table on problems of archeography, source study and historical bibliography in Izhevsk |
(Rus)
|
|
Razdorsky A.I.
|
| Vol 6, No 3 (2025) |
A memorial metaphor: essence, genesis, typological diversity |
(Rus)
|
|
Shub M.L.
|
| Vol 5, No 4 (2024) |
A National Library as a Type: Territorial Peculiarities of Emergence, Historical Formst |
(Rus)
|
|
Matveev M.Y.
|
| Vol 3, No 4 (2022) |
A polylogue of musical collaboration (as exemplified by Ch.-V. Alkan’s second set оf transcriptions Souvenirs de concerts du conservatoire) |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 5, No 2 (2024) |
A Siberian page in the history of the Saint Petersburg Military Topographic School Library |
(Rus)
|
|
Panchenko A.M.
|
| Vol 5, No 1 (2024) |
Activities of Russian Libraries in the Field of Retrospective Scientific and Auxiliary Bibliography: Issues of Theory and Modern Practice |
(Rus)
|
|
Levin G.L.
|
| Vol 5, No 1 (2024) |
Actualization of the Problem of Students’ Technological Skills Development in the Process of Artistic Ceramics Mastering: Thesaurus Approach |
(Rus)
|
|
Voronkov A.N.
|
| Vol 4, No 1 (2023) |
Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity |
(Rus)
|
|
Ionesov V.I., Fazulzyanov I.F.
|
| Vol 3, No 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
(Rus)
|
|
Artyushina S.V., Rudneva L.M.
|
| Vol 4, No 2 (2023) |
Anatoly Praudin’s directing strategies in the interpretation of the classics |
(Rus)
|
|
Zhurcheva T.V.
|
| Vol 5, No 2 (2024) |
Andrey Osipovich Nikulin – an artist-inventor (To the 100th anniversary of Mosfilm) |
(Rus)
|
|
Soldatova O.N., Pozdnyakov Y.V.
|
| Vol 4, No 2 (2023) |
Archive of composer Savely Orlov: on the problem of actualization |
(Rus)
|
|
Dyatlov D.A.
|
| Vol 3, No 2 (2022) |
Art realm of today’s museum and art mediation |
(Rus)
|
|
Nazarov A.S.
|
| Vol 5, No 2 (2024) |
Art science in the epoch of the cultural paradigms change: reflections on a new monograph by Nikolai Andreevich Khrenov |
(Rus)
|
|
Ionesov V.I.
|
| Vol 3, No 3 (2022) |
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art |
(Rus)
|
|
Zaytseva I.A., Kuznetsova M.E., Samsonova I.V.
|
| Vol 6, No 3 (2025) |
Artistic strategies and motives for turning to the nude genre (exemplified by N.I. Feshin’s work) |
(Rus)
|
|
Iakovleva E.L.
|
| Vol 6, No 2 (2025) |
Astrakhan artist Sh. A.-Kh. Taktashev’s parallel realism (to the 75th anniversary of his birth) |
(Rus)
|
|
Taktashev M.S.
|
| Vol 5, No 4 (2024) |
At the Origins of the Russian Reception of Edwin Arnold: E.P. Blavatsky and V.V. Lesevich |
(Rus)
|
|
Zhatkin D.N., Serdechnaya V.V.
|
| Vol 6, No 3 (2025) |
Author’s strategies for organizing dialogue with a teenager in the Own Territory project plays1 |
(Rus)
|
|
Tyutelova L.G.
|
| Vol 6, No 3 (2025) |
Axiological grounds for the formation of cultural identity of young people in the new regions of Russia |
(Rus)
|
|
Letina N.N., Chernyavskaya A.P.
|
| Vol 5, No 3 (2024) |
Between A.P. Chekhov and M. Gorky: Evgeny Chirikov’s play Ivan Mironych Staged by the Moscow Art Theater (1905) |
(Rus)
|
|
Zhurcheva O.V.
|
| Vol 5, No 3 (2024) |
Bibliographic and Archaeographic Source Studies Sessions of the Round Table of the Russian Library Association in Sviyazhsk and Kazan |
(Rus)
|
|
Razdorsky A.I.
|
| Vol 3, No 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
(Rus)
|
|
Pirozhkova T.V.
|
| Vol 3, No 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
(Rus)
|
|
Kasovich A.S.
|
| Vol 4, No 3 (2023) |
Book recommendation services in the bibliographic activities of libraries |
(Rus)
|
|
Lavrik O.L., Yuklyaevskaya A.V.
|
| Vol 5, No 2 (2024) |
Caricatures of the anti-Napoleonic campaign of 1812-1814: what exactly was published in the Syn Otechestva magazine? |
(Rus)
|
|
Shcherbakova A.E.
|
| Vol 4, No 4 (2023) |
Catholicism in Andy Warhol’s Pop Art Style |
(Rus)
|
|
Iakovleva E.L.
|
| Vol 6, No 2 (2025) |
Changes in axiological and ethical foundations of socio-cultural institutions: influencing factors |
(Rus)
|
|
Komarova A.V.
|
| Vol 4, No 2 (2023) |
Co-creative polylogue: art criticism aspect |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 6, No 1 (2025) |
Collective Practices in Creating Musical Compositions: from Baroque to the Modern Times |
(Rus)
|
|
Palamarzha A.Y.
|
| Vol 4, No 3 (2023) |
Communication about a book and reading: dynamics of forms in historical and cultural context |
(Rus)
|
|
Askarova V.Y.
|
| Vol 5, No 4 (2024) |
Conceptual Fashion: An Experience of Structural-Semiotic Analysis |
(Rus)
|
|
Sirotina I.L., Molchanova L.A.
|
| Vol 6, No 1 (2025) |
Continuity and Mentoring in Development of abstract painting in Siberia |
(Rus)
|
|
Popova N.S.
|
| Vol 3, No 3 (2022) |
Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century |
(Rus)
|
|
Popova M.M.
|
| Vol 5, No 1 (2024) |
Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon |
(Rus)
|
|
Yarantsev V.N.
|
| Vol 6, No 4 (2025) |
Creative project technologies in the professional activities of the director of theatrical performances and holidays |
(Rus)
|
|
Vinogradova L.A., Kuprina E.Y.
|
| Vol 4, No 3 (2023) |
Creative reception of Leo Tolstoy’s works in contemporary dramaturgy |
(Rus)
|
|
Zhurcheva O.V.
|
| Vol 3, No 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
(Rus)
|
|
Askarova V.Y.
|
| Vol 4, No 2 (2023) |
Culturological vector in documentation-communicative sciences research: potential and perspectives |
(Rus)
|
|
Vokhrysheva M.G.
|
| Vol 3, No 1 (2022) |
Death, immortality and cosmos: William S. Burroughs about the fears of today |
(Rus)
|
|
Ryapolov S.V.
|
| Vol 3, No 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
(Rus)
|
|
Skripacheva I.A.
|
| Vol 6, No 4 (2025) |
Dialectics of the soul of a child in A.P. Chekhov’s story Steppe |
(Rus)
|
|
Ivanyan E.P., Gurova I.V.
|
| Vol 4, No 1 (2023) |
Dialogue with the Reader in the Novel One Billion Years to the End of the World by the Strugatsky Brothers |
(Rus)
|
|
Lisovitskaya V.N.
|
| Vol 6, No 4 (2025) |
Digital socialization trajectories: the potential of the impact of book and gaming online industry |
(Rus)
|
|
Zubanova L.B., Zykhovskaya N.L.
|
| Vol 5, No 3 (2024) |
Digital Transformations of Book Culture as a Subject of Scientific Research |
(Rus)
|
|
Lopatina N.V., Voropayev A.N.
|
| Vol 6, No 4 (2025) |
Downshifting in the aspect of Tolstoyism |
(Rus)
|
|
Volkova P.S., Sayenko N.R.
|
| Vol 6, No 1 (2025) |
Dramatic monologue as a material for group speech training |
(Rus)
|
|
Blyudov D.V.
|
| Vol 6, No 1 (2025) |
Drawing as a Universal of Culture |
(Rus)
|
|
Sevostyanov D.A.
|
| Vol 4, No 4 (2023) |
D.V. Ulyaninsky – a Failed Collector of Literature on the Revolutionary Movement in Russia |
(Rus)
|
|
Samarin A.Y.
|
| Vol 3, No 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
(Rus)
|
|
Aukštikalnytė A.D.
|
| Vol 4, No 3 (2023) |
Epic in russian drama of the xixth century (exemplified by A.N. Ostrovsky’s plays) |
(Rus)
|
|
Tyutelova L.G.
|
| Vol 5, No 4 (2024) |
Eschatology and Сulture: Golgotha Christian Newspaper The Novaya Zemlya (1910-1912) through the Prism of the Idea of Religious Justification of Culture |
(Rus)
|
|
Gacheva A.G.
|
| Vol 6, No 3 (2025) |
Esperanto culture in a disjoined world: historical milestones and modern imperatives |
(Rus)
|
|
Ionesov V.I.
|
| Vol 5, No 3 (2024) |
Estate and Dacha in Russian Literature of the XIXᵗʰ-XXIˢᵗ Centuries: the Current State of Studying |
(Rus)
|
|
Bogdanova O.A.
|
| Vol 6, No 4 (2025) |
Ethical and cultural dominants of A.A. Ukhtomsky’s heritage: philosophical and literary context (to the 150th anniversary of the scientist and thinker) |
(Rus)
|
|
Gacheva A.G.
|
| Vol 6, No 3 (2025) |
Expressionist painting: structural analysis |
(Rus)
|
|
Sevostyanov D.A.
|
| Vol 4, No 3 (2023) |
Extrahuman instances in Culture |
(Rus)
|
|
Malyshev V.B.
|
| Vol 6, No 3 (2025) |
Family reading in the visual arts |
(Rus)
|
|
Khromov O.R.
|
| Vol 6, No 1 (2025) |
F.F. Syromolotov’s Poetic Work in the Context of Newspaper Culture of the Early XXth Century |
(Rus)
|
|
Kozlov I.V.
|
| Vol 5, No 1 (2024) |
Fiction Writers and Fiction Readers as Participants of the Literary Process: to the Creation of a Social Psychological Portrait |
(Rus)
|
|
Solina A.V.
|
| Vol 6, No 2 (2025) |
Formation of artistic and creative consciousness of students by means of art in the process of teaching music (exemplified by a musical literature contest) |
(Rus)
|
|
Milovidova N.S., Frolova L.A.
|
| Vol 6, No 2 (2025) |
From decorative to industrial art: to the issue of the formation of the system of the soviet art industry |
(Rus)
|
|
Stepanova D.G.
|
| Vol 5, No 4 (2024) |
From Intertextuality to Remediation: Movements of Meanings and Forms in Modern Art Culture |
(Rus)
|
|
Shub M.L.
|
| Vol 5, No 2 (2024) |
G.A. Vyatkin in the Volzhskoe Slovo newspaper: “Samara period” of the Siberian publicist |
(Rus)
|
|
Gerasimchuk I.V.
|
| Vol 3, No 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
(Rus)
|
|
Antonova L.V.
|
| Vol 4, No 4 (2023) |
How the Russian Idea Can Get out of the Captivity of Intellectual Irrationalism |
(Rus)
|
|
Bakshutova E.V., Rulina T.K.
|
| Vol 3, No 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
(Rus)
|
|
Chibikova I.Y.
|
| Vol 4, No 4 (2023) |
Iconography and plot features of the Syzran Old Believer icon |
(Rus)
|
|
Chibikova I.Y., Naumova O.S.
|
| Vol 6, No 4 (2025) |
Icons-monuments of the Romanovs dynasty of the late XIXth – early XXth centuries from cathedral and private collections of the Altai territory |
(Rus)
|
|
Kreidun Y.A., Bulgaeva G.D.
|
| Vol 3, No 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
(Rus)
(Eng)
|
|
Petrov V.V., Zavarnitsyna N.M.
|
| Vol 6, No 1 (2025) |
Interpretation of the Concept of “Cultural studies” in the National Linguistic Traditions of Russia and Abroad |
(Rus)
|
|
Kuznetsova M.A., Arefiev M.A.
|
| Vol 3, No 4 (2022) |
Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022 |
(Rus)
|
|
Filippova A.A.
|
| Vol 4, No 4 (2023) |
Justifying Sub Specie Culture of Justifying History in Russian Religious and Philosophical Thought |
(Rus)
(Eng)
|
|
Gacheva А.G.
|
| Vol 6, No 3 (2025) |
Karl Fedorovich Fetterlein as an employee of the Rossika branch of the Imperial Public Library |
(Rus)
|
|
Mikheeva G.V.
|
| Vol 3, No 4 (2022) |
Late autumn in Ilyinskoye: the diary of grand duke Sergei Alexandrovich, 15 October – 16 November 1897 |
(Rus)
|
|
Sofjina M.V., Sofjin D.M.
|
| Vol 3, No 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
(Rus)
|
|
Batisheva V.N.
|
| Vol 5, No 2 (2024) |
Modern trends in Chinese drama of the twentieth century exemplified by Liao Yimei’s play Rhinoceros in Love |
(Rus)
|
|
Sizova M.I.
|
| Vol 4, No 4 (2023) |
Multimedia Edition on the History of Engraving: Justification of the Project |
(Rus)
|
|
Andreeva O.V., Ivanova P.V.
|
| Vol 4, No 2 (2023) |
New theatrics in the mediatization era |
(Rus)
|
|
Boldyreva T.V.
|
| Vol 5, No 1 (2024) |
Novgorod Art Porcelain of the 1950s |
(Rus)
|
|
Voropaeva T.A.
|
| Vol 6, No 4 (2025) |
N.P. Likhachev and the Tretyakovs’ Moscow City Art Gallery (based on correspondence with E.M. Khruslov) |
(Rus)
|
|
Naumov O.N.
|
| Vol 4, No 4 (2023) |
Officers’ Libraries at the Provincial Reserve Infantry Battalions of the Russian Empire in the Second Half of the XIXth Century: Plans and Reality |
(Rus)
|
|
Panchenko A.M.
|
| Vol 3, No 1 (2022) |
On museum ontology: history, memory, zeitregime |
(Rus)
|
|
Gerasimov O.V.
|
| Vol 6, No 1 (2025) |
On the Experience of Work with Controversial Content in Libraries in the USA and Russia |
(Rus)
|
|
Demkina D.S.
|
| Vol 5, No 4 (2024) |
On the Other Side of the Autobiography: M. Kuncewicz’s Novel The Stranger |
(Rus)
|
|
Perepelkin M.A.
|
| Vol 5, No 4 (2024) |
Phenomenological Approach as a Basis for Training of Performing Musicians |
(Rus)
|
|
Reznichenko M.G., Loginov V.A.
|
| Vol 4, No 2 (2023) |
Photoidentity: the specificity of photo sessions as a self-presentation tool |
(Rus)
|
|
Zubanova L.B., Shub M.L.
|
| Vol 5, No 2 (2024) |
Popularization of scientific knowledge by means of the theater exemplified by scientific and theatrical laboratories |
(Rus)
|
|
Shklyarskaya A.E.
|
| Vol 4, No 3 (2023) |
Problematic issues of the study and preparation of an Academic edition of S.I. Taneev’s cantata John of Damascus |
(Rus)
|
|
Lukina G.U., Teterina N.I., Aleksandrova V.A.
|
| Vol 5, No 4 (2024) |
Problems of Bibliology Studies through a Prism of Digital Transformations in the Socio-Communicative Nature of a Book |
(Rus)
|
|
Diner E.V.
|
| Vol 4, No 1 (2023) |
Professional Orientation of Library and Information Specialists of The Republic of Tatarstan (Research on the Basis of the Central Library of Kazan) |
(Rus)
|
|
Maslova Y.V., Mansurova A.R.
|
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