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Color and Narrative Theme in the Picture: Symbolism, Emotional Impact and the Possibility of Verbalization
- Authors: Sevostyanov D.A.1
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Affiliations:
- Novosibirsk State Medical University
- Issue: No 4(885) (2024)
- Pages: 168-174
- Section: Cultural studies
- URL: https://ogarev-online.ru/2542-2197/article/view/306536
- ID: 306536
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Abstract
The article discusses the structure of the narrative theme in the works of painting. It is shown that the color scheme of the painting (color) is a deep layer of the narrative theme of the painting. The symbolic meaning of color in the painting is analyzed. The data on the different symbolic meaning of flowers in different cultures are presented. The problem of how the narrative theme of the picture can be verbalized is discussed. The role of expressive motor skills of the artist, the impact of which is not subject to verbalization, is also analyzed.
About the authors
Dmitry Anatolyevich Sevostyanov
Novosibirsk State Medical University
Author for correspondence.
Email: dmitry.sevostyanov1964@yandex.ru
Doctor of Philosophy, Associate Professor, Associate Professor of the Department of Pedagogy and Psychology
Russian FederationReferences
- Bazyma, B. A. (2007). Psikhologiya tsveta: teoriya i praktika = Psychology of color: theory and practice. St. Petersburg: Rech. (In Russ.)
- Isaeva, M. V. (2011). Simvolika tsveta v ikone = Symbolism of color in an icon. Issues of cultural studies, 5, 101–104. (In Russ.)
- Li, Fuguy, Lomov, S. P. (2018). The concept of color in Western painting. Law and Practice, 1, 314–317. (In Russ.)
- Turner, V. (1983) Simvol i ritual = Symbol and Ritual. Moscow: Nauka. (In Russ.)
- Umarova, G. A. (2014). Color symbols and color preferences in the costume of Muslims (example of Tajikistan). Bulletin of Kazan state university of culture and arts, 4–1, 131–136. (In Russ.)
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