W. S. Maugham’s “On a Chinese Screen” – the Gallery of National Characters

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The article is dedicated to W. S. Maugham’s book “On a Chinese Screen” about his stay in China. The text is the combination of non-fiction literature and fiction. The poetics of the title as well as the gallery of national characters - representatives of different social layers of Western and Eastern civilizations - are analyzed in the article. The author marked the disappearance of something native in modern for him China. The main motives are the following: way, road; theatricality; loneliness of white man; impossibility to understand each other.

Sobre autores

Nataliia Bulashova

Moscow Pedagogical State University; St. Tikhon’s Orthodox University

Autor responsável pela correspondência
Email: nbulashova@yandex.ru

PhD (Philology), Associate Professor at the Department of World Literature, Moscow Pedagogical State University; Associate Professor at the Department of Slavic Philology, St. Tikhon’s Orthodox University

Rússia

Bibliografia

  1. Saveleva, I. G. (2012). Poetika putevoj prozy Lorensa Darrella = Poetics of Lawrence Durrell’s travel prose: abstract of PhD in Philology. Moscow. (In Russ.)
  2. Maugham, S. (1994). Sobranije sochinenij = Collected edition (vol 5): in 5 vols. Moscow: Hudozhestvennaja literature. (In Russ.)
  3. Martynova, N. V., Yang Zimo (2020). Features of the main stages of development of the traditional art of the screen in the history of China. The Scientific heritage, 50, 3–10. (In Russ.)
  4. Habibullina, L. F. (2012). Obraz Kitaya v tvorchestve S. Moema = The image of China in S. Maugham’s works. Dergachevskie chtenija (vol. 3, pp. 346–351). (In Russ.)
  5. Munkueva, R. D., Serebrjakova, Yu. A. (2018). The concept of national character. BSU bulletin. Philosophy, 3(3), 32–36.

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