Multimodal Euphemisation in Comedies as a Cognitive and Discourse Phenomenon

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Abstract

The article develops the research procedure of exploring euphemisation as a multimodal and cognitive-discourse phenomenon. Featuring a series of Russian and foreign comedies the study identifies the major cognitive mechanisms of its realization, which are conceptual integration and incongruity. The humorous effect is achieved via foregrounded incongruity shifts (the term introduced by S. Attardo) which appear in different semiotic modalities and are complemented by backgrounded incongruities.

About the authors

Diana Nailevna Serozeeva

Moscow State Linguistic University

Author for correspondence.
Email: avisliberan@gmail.com

Senior Lecturer at the Department of English, Faculty of Translation and Interpreting

Russian Federation

References

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  3. Porokhnitskaya, L. V. (2014). Kontseptual’nye osnovaniya ehvfemii v yazyke (na materiale angliiskogo, nemetskogo, frantsuzskogo, ispanskogo i ital’yanskogo yazykov) = Conceptual foundations of euphemy in the language (a case study of English, German, French, Spanish and Italian languages): abstract of Senior Doctorate in Philology. Moscow. (In Russ.)
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  7. Zykova, I. V. (2021). Lingvokreativnost’ v kinodiskurse = Linguistic creativity in cinematic discourse. In Lingvokreativnost’ v diskursah raznyh tipov: Predely i vozmozhnosti (pp. 100–189). Moscow: R-Valent. (In Russ.)
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  9. Burridge, K. (2012). Euphemism and language change: the sixth and seventh ages. Lexis, 7, 65–92.
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