The Cultural Script “Money” in Literary and Cinematic Contexts: L. N. Tolstoy, R. Bresson, A. Farhadi

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Abstract

Pour la première fois, la question de la définition des scripts culturels est soulevée en tant que la suite du développement des recherches sur la théorie des scripts des textes médiévaux, entreprises par N. A. Katagoshchina et L. A. Stanova. L'exploitation d'un ensemble de méthodes d'analyse (méthode des définitions lexicographiques, l'analyse étymologique, l'analyse linguistique et culturologique) a permis d'établir la structure sémantique des cultures linguistiques étrangères: russe, française et iranienne. Les résultats obtenus lors des recherches seront utilisés dans les cours de lexicologie, de linguistique générale, de communication interculturelle, de typologie comparative.

About the authors

Galina Vitalievna Ovchinnikova

State University of Education, Moscow; International Police Academy, Tula; Yasnaya Polyana State Estate Museum, Yasnaya Polyana village

Author for correspondence.
Email: galinaovcthinnikova@yandex.ru

Doctor of Philology (Dr. habil.), Professor of the Department of Romance Philology, State University of Education; Head of the Department of Linguistics and Humanities, International Police Academy; Senior Researcher, “Yasnaya Polyana” State Estate Museum

Russian Federation

References

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  2. Semina, I. A. (2007). Concept: universality or specificity? Voprosy filologicheskih nauk, 6(29), 94–97. (In Russ.)
  3. Ovchinnikova, A. S. (2021). Concept: universality or specificity? Reflection of the concept of “soul” in translations of V. S. Vysotsky’s poetry into French. Cognitive studies of language, 3(46). (In Russ.)
  4. Katagoshchina, N. A. (1978). The concept scripta and the problem of linguistic interpretation of Old French texts. Studies in Romance philology: collection of articles in memory of Academician V. F. Shishmarev. Leningrad, pp. 44–50. (In Russ.)
  5. Stanovaya, L. A. (2018). The use of “vertical” and “horizontal” methods in language history research. Izvestia: Herzen University Journal of Humanities and Sciences, 189, 219–229. (In Russ.)
  6. Lotman, Y. (1993). Les notes cinémalogiques, 20, 4–11.
  7. Rousseau, J. -J. (2004). Le discours sur les sciences et les arts. Paris: Le Livre de poche, 2004.
  8. Bresson, R. (1995). Notes sur le cinématographe. Paris: Gallimard, 1995.
  9. Pipolo, T. (2010). Robert Bresson: A Passion for film. Bloomington: OUP.

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