THE INSPIRATIONS OF SUSAN LANG'S AESTHETIC IDEAS OF ART SYMBOLS ON RESTAURANT SPACE DESIGN

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Abstract

The article provides an analysis of Susan Langer's aesthetics of artistic symbols, examining the “theory of artistic illusion” as the main concepts of this author's aesthetic system. The results show that artistic symbols play an important role in the theme and shape of visual design of catering spaces. The author argues that the illusion of space as a special symbolic language transforms the restaurant interior from an ordinary functional space into a symbolic space.

About the authors

Chuanhua Zhu

St. Petersburg State University

Author for correspondence.
Email: st108334@student.spbu.ru

Postgraduate Student Department of Cultural Studies, Aesthetics, Philosophy of Culture Saint Petersburg State University

Russian Federation

References

  1. 沙凯. 苏珊•朗格符号理论研究[D]. 南京师范大学博士学位论文. 2014年. = Sha Kai (2014). A study of Susan Lange’s theory of signification. Doctoral dissertation. Nanjing Normal University. (In Chinese)
  2. Langer, S. K. Feeling and Form. Translated by Liu Daji, Fu Zhiqiang, Zhou Faxiang. Beijing: Social Science Publishing House of China. (In Chinese)
  3. Langer, S. K. (1953). Feeling and Form: A Theory of Art. Developed from Philosophy in a New Key. New York: Charles Scribner’s Sons.
  4. 房昱辛.《情感与形式》中的艺术空间理论研究[D]. 山东大学硕士学位论文. 2014年 = Fang Yuxin (2014). Research on the theory of artistic space in emotion and form. Master’s thesis. Shandong University. (In Chinese)
  5. Langer, S. K. (1930). The Practice of Philosophy. New York: Henry Holt and Company.
  6. Bell, C. (2015). Art. Translated by Ma Zhongyuan and Zhou Jinhuan. China Federation of Literature and Art Publishers, Chinese edition. (In Chinese)

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