TIME AND CHRONOTOPE IN THE PHILOSOPHY AND ART OF THE SILVER AGE OF RUSSIAN CULTURE

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Abstract

The philosophy and art of the Silver Age of Russian culture are examined in the article from the point of view of the chronotope’s features as the interrelation of temporal and spatial parameters of meaning formation. Based on the analysis of changes in the conceptual model of time-space, the eschatological affirmation of ideas about post-historical ideal reality, gaps between the future and the past, the phenomenon of duality and the reversibility of good and evil, a conclusion is drawn about the relationship between the development of philosophy and art of the Silver Age with the social transformations of the late 19th and early 20th centuries.

About the authors

Dmitry Gennad’yevich Gorin

Plekhanov Russian University of Economics

Author for correspondence.
Email: Gorin.DG@rea.ru

Doctor of Philosophy (Dr. habil.), Professor Plekhanov Russian University of Economics

Russian Federation

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