THE SPACE OF MEMORY AND OBLIVION IN THE CREATIVE WORK OF A. BARBUSSE

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Abstract

The article analyzes the early work of A. Barbusse, French author of the early twentieth century, and the role of the category of memory in the formation of his poetics. The analysis is carried out using biographical, comparative-typological, cultural-historical methods. The system of images of selected novels is analyzed; based on its dichotomous nature, the connection of the poles “individual - collective” with the categories of individual and collective memory is formulated.

About the authors

Anastasia Vladimirovna Tsareva

Moscow State Linguistic University

Author for correspondence.
Email: a.v.tsareva@linguanet.ru

Lecturer аt the Department of Russian and Foreign Literature Faculty of Translation and Interpreting Moscow State Linguistic University

Russian Federation

References

  1. Nora, P. (1999) France-Memory. St. Petersburg: St. Petersburg State University. (In Russ.)
  2. Halbwachs, M. (2005) Collective and Historical Memory. Neprikosnovennyj Zapas, 2–3 (40–41), 8–27. (In Russ.)
  3. Romanovskaya, E. V. (2013). Tradition as a form of social memory: Hermeneutic and institutional horizons: abstract of Senior Doctorate in Philology. Saratov State University. (In Russ.)
  4. Nora, P. (2005) The Worldwide Celebration of Memory. Neprikosnovennyj Zapas, 2–3 (40–41), 202–208. (In Russ.)
  5. Mokrousova, E. A. (2012) The Philosophy of “Collective Memory”: The Problem of the Escape of Memory. Vserossijskij zhurnal nauchnyh publikacij, 2(12), 58–59. (In Russ.)
  6. Bachelard, G. (2001). Earth and Reveries of Repose. Moscow: Izdatel’stvo gumanitarnoj literatury. (In Russ.)

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