The axiological transformation of Russian culture at the turn of the 19th-20th centuries: convergence and divergence in the Art of the "Silver Age"

The article examines the role of the art of the "Silver Age" (late 19th – early 20th centuries) in the historical process of axiological transformation of Russian culture. Based on a comparison of the dominant values of the "Golden" and "Silver Ages", as well as an analysis of philosophical and aesthetic theories and specific examples of works of art, the mechanisms of art's influence on public consciousness and value orientations are investigated. The article examines the convergent and divergent processes in the art of the "Silver Age", caused by the crisis of traditional values and the search for new spiritual guidelines. The relevance of the experience of the "Silver Age" is emphasized for understanding the role of art in modern society, in the context of the search for moral guidelines and solutions to global social problems.

Axiology, socio-cultural transformation, Silver age, subjectivity of culture, convergence of values, cultural field, public consciousness, value orientations, the field of art, integrative style