Historical Aspects of the Formation and Development of Chinese Engraving

The object of this study is Chinese engraving. The subject of the research is the path of the formation of Chinese engraving. The author examines in detail aspects such as the regional specialization of this art form (engraving of Yangliuqing, Huizhou, Suzhou, Yangjiabu, etc.), as well as its social, artistic, and political significance in the history of China. The study also explores nianhua, traditional images produced through printing. The aim of the research is to identify specific features and patterns in the historical development of engraving in the country. The following methods were used in writing the article: historical, historical-comparative, as well as methods of art analysis. Over time, Chinese woodblock printing developed a pronounced regional specificity, and the range of depicted themes became quite broad. The 20th century marks a completely new stage for Chinese engraving, as during this historical period it was first recognized by the world of high Chinese art. In the early 21st century, engraving continues to develop actively. Moreover, in recent years, increasing attention has been paid to traditional woodblock printing techniques. The successful engagement of young artists in this art form currently allows for the assertion that in the coming years, engraving will continue to play a significant role in the culture of modern China. The scientific novelty of this study lies in the formation of a hypothesis about the future of Chinese engraving, based on the analysis of the historical path of this art and its contemporary trends.

engraving, woodcut, China, Chinese art, traditional art, Buddhism, nianhua, art history, art, history of China