The role of sound recording in the ontology of jazz

The article is devoted to the analysis of the importance of sound recording in the context of jazz music and its ontology. The object of the study is sound recording in jazz, and the subject of the study is its impact on the preservation of the cultural heritage of jazz, the formation of historical memory and the impact on the development and perception of jazz music. Within the framework of this study, the functions and types of sound recordings are analyzed, their significance as documents recording musical performances and as independent works of art. The article examines the impact of technological changes in sound recording on the artistic aspects of performance, as well as their role in stimulating innovation and transformation in jazz culture. Special attention is paid to how sound recording forms the ontological aspects of jazz, providing mediation between the performer and the listener and conveying emotional and cultural contexts. The research methodology includes an analysis of various functions and types of sound recordings, as well as an assessment of their impact on jazz culture through a systematic approach. The main results show that changes in recording technologies significantly modify the artistic aspects of performance, contributing to innovation and transformation in jazz culture. The findings of the study emphasize that sound recordings perform key functions in the ontology of jazz, acting as mediators between the performer and the listener, ensuring the transmission of emotional and cultural contexts. They are an important tool for analyzing and preserving musical heritage, contributing to an in-depth understanding of jazz as a dynamic cultural phenomenon. Jazz music continues to evolve through the interaction of performers and the audience, as well as through technological and creative experiments, which emphasizes the importance of sound recordings in this process. The findings of the study emphasize their critical role in supporting and preserving jazz culture in the context of its constant evolution.

Recording, Ontology, Jazz, Music industry, Monk Thelonious, Improvisation, Jazz history, Musical heritage, Recording technology, Cultural impact