FROM SPECTATOR TO READER: READING REFLECTION IN MARGUERITE DURAS’S OEUVRES
- Authors: Shulyatyeva DV1
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Affiliations:
- Lomonosov Moscow State University
- Issue: Vol 22, No 2 (2017)
- Pages: 302-311
- Section: LITERARY CRITICISM
- URL: https://ogarev-online.ru/2312-9220/article/view/334577
- DOI: https://doi.org/10.22363/2312-9220-2017-22-2-302-311
- ID: 334577
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Abstract
The article is focused on the specificity of perception of literary and cinematic works by Marguerite Duras, in which the spectator becomes a reader in terms of literary reading’s model of perception. This process is based on the recreation of characteristics of literary reading in films. As a result, the spectator of Duras’s films is intended to produce a reflection both on literary and cinematic medium and finds himself involved in a process of progressive drift from spectator to reader.
About the authors
D V Shulyatyeva
Lomonosov Moscow State University
Author for correspondence.
Email: dsh64@yandex.ru
PhD student, Department of General Theory of Philology, Philological faculty, Lomonosov Moscow state university
Leninskiye Gory, 1, Moscow, Russia, 119991References
- Rivett J., Narbony J. Margaret Duras: razrusheniya i slovo. Chast 1 [Maragaret Duras: Distraction and Word] // Cineticle, интернет-журнал об авторском кино. URL: http://www.cineticle.com/inerviews/1172-duras-narboni-rivette-part1.html (accessed: 5.12.2016).
- Cléder J. Ce que le cinéma fait de la littérature // Fabula-LhT, n° 2, décembre 2006, URL: http://www.fabula.org/lht/2/cleder.html (accessed: 5.12.2016).
- Duras M. Les yeux verts. Paris: “Cahiers du Cinéma”, 1987. P. 107—108.
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